Ken Burns on His Revolutionary War Documentary: ‘We Won’t Work on a More Important Film’

Ken Burns has evolved into more than a historical storyteller; his name is a franchise, a prolific creative force. When he has project heading for the television, everyone seeks a part of him.

He participated in “more fucking podcasts than I ever thought possible”, he says, nearing the end of his marathon promotional journey comprising 40 cities, dozens of preview events and hundreds of interviews. “With podcasts numbering in the hundreds of millions, I feel I’ve participated in a substantial portion.”

Fortunately Burns is a force of nature, as loquacious behind the mic as he is productive in the editing room. The 72-year-old has traveled from prestigious venues to The Joe Rogan Experience to discuss a career-defining series: this historical epic, a comprehensive multi-part historical examination that consumed ten years of his career and arrived currently through the public broadcasting service.

Defiantly Traditional Approach

Comparable to methodical preparation amidst instant gratification culture, Burns’ latest project intentionally classic, reminiscent of The World at War as opposed to modern streaming docs new media formats.

However, for the filmmaker, who has built a career documenting American historical narratives spanning various American subjects, the nation’s founding transcends ordinary historical coverage but foundational. “I recently told collaborator Sarah Botstein recently, and she concurred: no future work will carry greater importance,” Burns reflects during a telephone interview.

Comprehensive Scholarly Work

The filmmaking team along with writer Geoffrey Ward drew upon thousands of books plus archival documents. Numerous scholars, covering various ideological backgrounds, provided on-air commentary in conjunction with distinguished researchers from a range of other fields like African American history, indigenous peoples’ narratives and the British empire.

Distinctive Filmmaking Approach

The film’s approach will appear similar to viewers of Burns’ earlier work. The characteristic technique included gradual camera movements through archival photographs, extensive employment of contemporary scores with performers reading diaries, letters and speeches.

Those projects established Burns built his legacy; a generation later, presently the respected veteran of historical films, he can apparently summon virtually any performer. Participating with Burns during a recent appearance, acclaimed writer Lin-Manuel Miranda commented: “Nobody declines an invitation from Ken Burns.”

All-Star Cast

The decade-long production schedule also helped concerning availability. Filming occurred in studios, on location and remotely via Zoom, an approach adopted throughout the health crisis. Burns explains working with Josh Brolin, who found a few free hours during his travels to record his lines as George Washington before flying off to other professional obligations.

The cast includes numerous acclaimed actors, established Hollywood talent, Domhnall Gleeson, Amanda Gorman, Jonathan Groff, Tom Hanks, Ethan Hawke, Maya Hawke, celebrated film and stage performers, international acting community, skilled dramatic performers, television and film stars, Dan Stevens, Meryl Streep.

The filmmaker continues: “Honestly, this could represent the finest ensemble gathered for any production. Their contributions are remarkable. Selection wasn’t based on fame. It irritated me when questioned, about the prominent cast. I responded, ‘These are performers.’ They are among the world’s best performers and they can bring this stuff alive.”

Nuanced Narrative

However, the absence of living witnesses, modern media forced Burns and his team to lean heavily on historical documents, combining individual perspectives of numerous historical characters. This allowed them to show spectators not only to the “bold-faced names” of the founders plus numerous additional who are seminal to the story”, many of whom remain visually unknown.

The filmmaker also explored his personal passion for maps and spatial representation. “I have great affection for cartography,” he notes, “with greater cartographic content in this project compared to previous works across my complete filmography.”

Global Significance

The team filmed at nearly a hundred historical locations throughout the continent plus English locations to preserve geographical atmosphere and worked extensively with historical interpreters. Various aspects converge to depict events more brutal, complicated and internationally important versus conventional understanding.

The documentary argues, transcended provincial conflict concerning territory, taxes and political voice. Rather, the series depicts a violent confrontation that finally engaged multiple global powers and surprisingly represented described as “the noble aspirations of humankind”.

Internal Conflict Truth

What had begun as a jumble of grievances directed toward Britain by colonial residents across thirteen rebellious territories soon descended into a brutal civil conflict, setting brother against brother and creating local enmities. During the second installment, academic Alan Taylor comments: “The primary misunderstanding concerning independence struggle centers on assuming it constituted a unifying experience for colonists. It leaves out the reality that Americans fought each other.”

Nuanced Understanding

For him, the independence account that “generally is drowning in sentimentality and wistful remembrance and is incredibly superficial and insufficiently honors the historical reality, every individual involved and the incredible violence of it.

It was, he contends, a movement that announced the revolutionary principle of the unalienable rights of people; a vicious internal conflict, separating rebels and supporters; and a global war, the fourth in a series of conflicts between Britain, France and Spain for control of the continent.

Uncertain Historical Outcomes

Burns additionally aimed {to rediscover the

Alyssa Nelson
Alyssa Nelson

Master woodworker and designer with over 15 years of experience creating bespoke furniture and art pieces for homes and businesses.